[DIAP] MFA fellow Marielis Garcia is showing “In the Fold” on October 10th and 11th.
In the Fold is a geometric abstraction through music, visuals and movement.
Joined by choreographer Marielis Garcia (MG DanceArts), sculptor Caleb Nussear and Jazz trombonist and composer Ryan Keberle contemplate nostalgia and dreaming through the study of sense and perception.
[DIAP] MFA alum Laura Schneider has a solo show opening at The Project Space at NYU Abu Dhabi.
The Project Space at NYU Abu Dhabi presents the works of faculty member and artist, Laura Schneider, in her solo exhibition, Thymesis, open to the public from September 24-October 7, 2019. The artist was inspired to title the exhibition Thymesis after learning about the medical condition, hyperthymesia, while reflecting on the role of autobiographical memory throughout her own work. “Hyperthymesia” derives from the Greek words hyper (“excessive”) and thymesis (“remembering”). People afflicted with hyperthymesia can remember every detail of their own life. Schneider reflects that “those of us without this condition perhaps forget more than we remember and are left to fill in the blanks.”
Thursday September 19th, [DIAP] MFA fellow Marielis Garcia is collaborating with choreographer Madeline Hollander in a performance at the Whitney Museum of Art. An article about the performance with quotes by Marielis Garcia has appeared in the NY Times.
Saturday September 21, 2019, 8:00pm – 9:30pm, [DIAP] MFA fellow Marielis Garcia together with Nicole von Arx, will present “Objective Bodies” at Judson Memorial Church – New York City. Choreographers Marielis Garcia and Nicole von Arx seek to question the neutrality of, or lack thereof, bodies in space.
To remain objective invites a sense of neutrality – can bodies of gender, color, or experience ever be neutral? Perhaps we do not want them to be.
Objective Bodies is a shared evening of choreography by Swiss artist Nicole von Arx and New York artist Marielis Garcia. Each artist will premiere two different dance works revolving around the social implications that directly affect the way we attend to, take notice of and develop within our own bodies.
[DIAP] MFA alums Jean Carla Rodea, Lionel Cruet and Emma Yi participate in The Syncope curated by Kathie Halfin || Bronx River Art Center || 1087 E. Tremont Ave, Bronx River Art Center Opening reception on September 14 from 6-9 pm. Performances start at 7 and screening on the rooftop at 8 pm.
[DIAP] MFA fellow Diana Guerra’s work is included in the current Humble Arts Foundation exhibition “100% Fun” curated by Jon Feinstein.
[DIAP] MFA alum Michelle Levy is offering advice via New York Foundation for the Arts
She will be offering some helpful services that may be of interest, whether you are in NY or anywhere in the world!! Please share.
-I am offering one-on-one remote consultation to artists and curators through Doctor’s Hours On Call, providing practical and professional advice. Appointments are via Skype. Mondays and Wednesdays, 9:00 AM – 12:30 PM, from September 4 – October 30, 2019.
– I am leading a workshop “HOW TO WRITE AN EFFECTIVE ART STATEMENT” on September 18. 5:30- 8:30 pm at NYFA in Brooklyn.
– I will also be participating in-person the Doctor’s Hours event at NYFA on September 9, 6-9 pm.
To learn more and sign up for one-on-one remote Doctor’s Hours: https://app.acuityscheduling.com/schedule.php?owner=16933547
To register for “How to Write an Effective Artist Statement” workshop: https://www.eventbrite.com/e/writing-an-effective-art-state…
In-person Doctor’s Hours event at NYFA: https://current.nyfa.org/…/1…/event-doctors-hours-for-visual
“Se La Vie, Bodies Need Rest” (co-curated by a DIAP MFA alum Emma Yi and with participation by DIAP MFA alum Jean Carla Rodea) is composed of two parts, and each features four performances that revolve around relationality, public and private, privilege and precarity. Maskedness is not only a mode of self-protection founded upon ingrained social stratas, it also paves the way for ritualistic intervention and self-reflection. Expanding on the term network latency, which is mostly used to describe various types of delay that occur in data communication over networks and online media, this sense of dislocation can be generally applied to broader connections and disconnections that transpire over physical-virtual spaces, in the form of glitches, temporal suspensions, and sporadic retreat into interiority. Amidst somatic sway and multidirectional instability, lies the possibility for the weary body to recuperate.
361 Manhattan Avenue, Brooklyn, New York 11211
A Speculative Atlas of the Caribbean, 2017. photo archive installation and painted mural, variable dimensions © Lionel Cruet 2019.
Shown at the exhibition “Geografias de lo singular” , in Guayaquil, Ecuador
Kulturschöpfer in Berlin, Germany, will present a curated exhibition in the Green Hill Gallery for its program In//Between, which will explore aspects of collaboration in the visual arts as well sociopolitical discourses that come from the experiences and works of each artist and their practices. Artists: Funda Seynep Ayguler (Turkey), Ioana Butloc (Romania), Lionel Cruet (Puerto Rico), Marcel Everling (Germany), Francesco Gioacchini (Italy), Jeremy Knowles (United Kingdom), Valentina Michelini (Italy), Marie-Charlotte Nouza (France).
Opening Reception: August 2, 2019, at Green Hill Gallery, Grünberger Str. 13, 10243 Berlin
Knockdown Center is pleased to present Pigeonhole: The Life and Work of Bobby Alam , a new exhibition by Priyanka Dasgupta and Chad Marshall. Pigeonhole is a multidisciplinary portrait of Bahauddin “Bobby” Alam, a Bengali peddler and sailor and who arrived in the United States in 1918 and lived as a Black jazz musician in New York and New Orleans. The exhibition memorializes Alam’s career and explores his personal navigation of an especially precarious period in American history, prompting a reflection on the complexities of racial passing as a means for marginalized people to circumvent violence.
The exhibition runs from June 29 to August 18 at Knockdown Center and was previously installed at Dodd Galleries, Lamar Dodd School of Art, University of Georgia, February 1 – 22, 2019.
52-19 Flushing Ave.
Maspeth, NY 11378
Priyanka Dasgupta and Chad Marshall received a Smithsonian Artist Research Fellowship for 2019-2020
Works on Water (a collaboration involving many DIAP MFA alum!)
Visit its ongoing Governors Island Residency in New York City’s harbor.
Program of events for the summer of 2019 is online.
DIAP MFA alum Raki Malhotra is presenting at the Hemispheric Institute of Performance and Politics conference in Mexico City June 2019!
The World Inside Out: Humor, Noise, and Performance
The Hemispheric Institute of Performance and Politics at New York University, in collaboration with the Department of Literature and Theatre of the Faculty of Philo conference in Mexr for Theatre, the Graduate Program in Art History, the Cátedra Bergman initiative, the Faculty of Political and Social Sciences, and the Contemporary Art University Museum (MUAC) of the National Autonomous University of Mexico (UNAM), along with Ex Teresa Arte Actual, invite scholars, artists, and activists from all disciplines to present proposals around the theme of The World Inside Out: Humor, Noise, and Performance for our 11th Encuentro, to be held in Mexico City from June 9–15, 2019.
DIAP – Digital & Interdisciplinary Arts Practice MFA at CCNY alumni Clarinda Mac Low was awarded an October residency with CEC ArtsLink in St.Petersburg, Russia.
Please join us for “side Affects” an opening exhibition for the first year cohort to exhibit their first year projects. Presenting work in “side Affects” are Emily Malave, Diana Guerra, Marielis Garcia, Oren Herschander, Katya Fedotova, and Ej Shellman.
Location: Shepard Hall, Room 408 The DIAP MFA Studio Time 6:00PM – 9:00PM.
Live performance at 7:30PM by Marielis Garcia
“Stay With ME” is an interactive installation comprising multiple muscle sensors, computer programming language, generative graphics, and multiple projections.
Shepard Hall 305, May 3rd, 6:30pm – 7:30pm
“THESIS a site-responsive durational (2017-2019) performance work that gives meaning to the time that I have spent in graduate school. It is a meta-critique about the experience; exploring how I am socialized/habituated as a student and as a human who needs to function to be a part of society as a whole”.
May 6th, Grand Ave, Brooklyn, 4:30pm – open ended
May 11th Para\\el Performance Space event invitation here
Christine Sloan Stoddard
“Poemario: Tierra Madre, El Salvador” is an artist-in-residence project at the CCNY Cohen Library Archives Gallery showing the connections between the causes for El Salvador’s civil war and the making of a bicultural woman in the United States. The project, whose Spanish- language title translates to “Book of Poems: Motherland,” integrates performance, text, sculpture, photography, and video.
CCNY, Cohen Library 5th floor, May 7-June 3, opening reception is May 22nd, 5-7 p.m
“Officescapes“ is an interdisciplinary installation divided into six different sectors that, as a whole, resemble a corporate meta-narrative system. The installation is composed of sculpture, two-channel videos, animated characters, and a shared Google Docs press release.
May 11th – May 17th Opening Reception – Saturday, May 11th, 6-9pm The Wiggle Room 320 W, 23rd St. New York, NY 10011