Spring 2020 Thesis presentations: Diana Guerra

Diana Guerra Thesis poster 2020

Posted in events, live, thesis

Diana Guerra Thesis poster 2020

https://dianaguerra.com/tocomebackistostay

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DIAP MFA Thesis Shows April 27- May 10, 2018

Posted in anouncements, events, exhibition, live, participation, thesis

We hope you will come to the thesis shows for the DIAP MFA class of 2018!

 

Lorenna Gomez-Sanchez /// Teen Dream

Installation
One Night Only Event: Tuesday, May 8th, 7pm – 9pm
Directions – The Living Gallery Outpost, 246 E 4th St, New York, NY 10009



Matthew Mottel /// CHARAS IS ALIVE ON SPACESHIP EARTH
click for more info
Opening Reception: Wednesday May 9th, 6pm – 8pm
Exhibition: May 9th – 12th
Directions – Loisaida Center, 710 E 9th St, New York, NY 10009



Lori Brungard /// Qualia
click for more info
Event: Thursday May 10th, 5pm – 7:30pm and Friday May 11th, 7:30pm – 9:30pm
Directions – The City College of New York, Shepard Hall, 259 Convent Ave, Rm 408, DIAP Studio
 Past:

Karla Carballar /// Oscillations

Immersive installation 
(Preview: Thursday, April 26th. 6:30pm – 8:30 pm.)
Reception/Event: Friday, April 27th, 6:30pm – 9pm.
Directions – The City College of New York, Shepard Hall building, Room S-305, 160 Convent Ave (Below 138th St.), New York, NY 10031


 
Brick Shoemaker /// Total Noise

click for more info

Reception/Event: Sunday, April 29th, 4pm – 6pm.
Directions The Sheridan, 1829 West Farms Rd, Bronx, NY 10460

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03/30/2017 lecture and talk by Eve Sussman and Simon Lee

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Thursday March 30th 2017 at 12:30PM

Artist talk and Q&A with the artists Eve Sussman and Simon Lee

DIAP Studio, Shepard Hall room 408

Free and open to the public

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Eve Sussman (born in 1961) incorporates film, video, sculpture, and architecture in her work. In 2003, she founded Rufus Corporation, an ad hoc think-tank of collaborators whose video installation 89 Seconds at Alcazar (2004) premiered to international acclaim at the 2004 Whitney Biennial. The twelve minute looping video is an imaginative recreation of Velázquez’s painting Las Meninas (1656). Other works by Rufus Corporation include The Rape of the Sabine Women (2006) and an experimental algorithm-generated movie, whiteonwhite:algorithmicnoir (2011). Sussman’s work has been shown internationally in exhibitions at the Bass Museum of Art, Miami; Leeum, Samsung Museum of Art, Seoul, Korea; Louisiana Museum of Modern Art, Humlebæk, Denmark; Musée d’art contemporain de Montréal, Canada; Museum of Modern Art, New York;The National Gallery, London, UK; Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain; and Whitney Museum of American Art, New York.

Simon Lee (born 1956) works in photography, video and installation. His work is said to often be “a powerful metaphor for the random flow of history and a low tech formal tour de force” (Holland Cotter, New York Times). His 2010 film collaboration with Algis Kizys, Where is the Black Beast? (2010) was shown at the Sagamore Collection in Miami, Zebra Poetry Film Festival Berlin, IFC Center in New York, and was an official selection at the 2011 Rotterdam Film Festival. Together with Sussman, he co-founded the “Wallabout Oyster Theater,” a micro-theater space run out of their studios in Brooklyn. Lee has exhibited at the Brooklyn Museum of Art; The Berkshire Museum, MA; Roebling Hall, New York; the Moscow International Film Festival; Musée d’Art Contemporain de Montreal; Poznan Biennale, Poland; The Rotunda Gallery, Brooklyn NY; Tinguely Museum, Basel, Switzerland; Espace Paul Ricard, Paris, France; and The Whitney Museum of American Art, New York.

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12/15/16 Afraid of History

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09/28/2016 lecture and talk by Rebecca Cleman

Posted in events, lecture, live

Please join us for a conversation with Rebecca Cleman Wednesday September 28th at 5:00PM in the DIAP Studio (Shepard Hall room 408)


The talk at [DIAP] will evolve around the legacy of artists’ television intervention projects…and how that presents itself now.

Rebecca Cleman is the Director of Distribution of Electronic Arts Intermix (EAI), New York. She has programmed screenings and events for such venues as the New York Underground Film Festival, Light Industry, the Museum of Art and Design, Anthology Film Archives, and Andrea Rosen Gallery.
Other activities include a roundtable discussion about the legacy of “video art” for the ICA in Philadelphia,  a co-organized screening of films by Tommy Turner for Spectacle Theater, Brooklyn, programming “The Parallax View: On Media” as part of the Contraband Cinema series at BAMcinématek, and as a jury member of the 2010 Migrating Forms media festival in New York.

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