Part Time Faculty:
Analisa Coats Bacall received her MA in art history from the University of Utah. She is interested in contemporary art and now lives in New York where she is pursuing a PhD in Art History.
Tyler Coburn is an artist and writer based in New York, working in performance, installation, writing, and sound. His work critically engages trends in computing, manufacturing, and urban design, investigating contemporary tensions between waged and leisure time; the self and the social media public; and the virtual world and its complex material infrastructures. Coburn received a BA in Comparative Literature from Yale University and an MFA from the University of Southern California. He also served as a fellow in the Whitney Independent Study Program from 2014-2015. His work has been been presented at South London Gallery; Kunstverein Munich; Kunsthalle Wien; CCA Glasgow; Western Front, Vancouver; Grazer Kunstverein; UCCA, Beijing; LAXART, Los Angeles; and Sculpture Center, New York. Coburn’s writing has appeared in Frieze, e-flux journal, Dis, Mousse, and Rhizome, among others.
Saim Demircan is a curator and writer based in New York City and Berlin. Between 2012 and 2015 he was a curator at Kunstverein München. Previously, he curated a two-year program of offsite projects, as well as an exhibition of works by German artist Kai Althoff, at Focal Point Gallery in Southend-on-Sea. Most recently, he was curator-in-residence at the Academy of Fine Arts in Munich. Saim has published on numerous artistic practices. His writing regularly appears in periodicals such as frieze and Art Monthly and he is a contributing editor to Art Papers.
Brian Droitcour is a writer, translator, curator, associate editor & online editor at Art in America.
João Enxuto and Erica Love
Adjunct Professors, Erica Love is Interim Head of DIAP for 2017-2018
João Enxuto and Erica Love collaborate on projects about art institutions, labor conditions, and value systems shaped by recent technologies. Enxuto received an MFA in Photography from RISD and Love holds BAs from Brown University in Economics and Visual Arts and an MFA from UCLA. Together they were fellows at the Whitney Museum Independent Study Program for 2012-2013. They have given talks, written essays, and exhibited at the Centre Pompidou, Whitney Museum of Art, the New Museum, Anthology Film Archives, Walker Art Center, Pratt Institute, Yossi Milo Gallery, Carriage Trade, Louisiana Museum in Denmark, ArtCenter/South Florida, and the Tamayo Museum in Mexico City. Enxuto and Love’s writing has appeared in Art in America, Mousse Contemporary Art Magazine, Wired Magazine, X-TRA Contemporary Art Quarterly, among others. They have taught at the Cooper Union, School of Visual Arts, New York University, City College, and as Ernest G. Welch Fellows at Georgia State University. Additionally they were visiting artists at the Institute for Curatorial Practice at Hampshire College, SOMA Summer in Mexico City, and Maumaus in Lisbon, Portugal. Enxuto and Love were awarded a New York Foundation for the Arts (NYFA) Artist Fellowship and a Creative Capital Andy Warhol Foundation Arts Writers Grant for 2017.
Taraneh Fazeli is a curator, educator, editor, and researcher from New York. She was recently a fellow at the Van Eyck Academy in The Netherlands and critic in residence at the Museum of Fine Art Houston’s Core Program. She studied at the Cooper Union and previously worked within the New Museum’s Education Department, was a Contributing Editor to Triple Canopy, and was the Managing Director of e-flux.
Joy Garnett is a New York painter and writer who also works with social media to create objects and images. Garnett studied painting at the École des beaux-arts in Paris and is the recipient of an MFA in painting from The City College of New York. Recent projects include Pink Bomb, a painting with accompanying video for a traveling exhibition originating at the Milwaukee Art Museum and Lost Library, a social media project included in “Bibliomania” at the Visual Arts center of New Jersey. Notable past exhibitions include: “That Was Then…This is Now” at PS1 MoMA; “Image War: Contesting Images of Political Conflict,” The Whitney Museum of American Art; “Atomic Afterimage,” Boston University Art Gallery; “With Food in Mind” at The Center for Book Arts, NY; “Terrorvision” at Exit Art, NY; and “N01se,” Kettle’s Yard Cambridge (UK). She serves as Arts Editor for the Duke journal Cultural Politics where she produces and edits original projects by contemporary artists, and blogs about art, copyright reform and open source culture at NEWSgrist.
Orit Gat writes about contemporary art, publishing, internet culture, and different meeting points between these things. Her writing and criticism is published regularly on Rhizome, where she is a contributing editor, and has appeared in a variety of magazines, including frieze, ArtReview, The White Review, Art Agenda, Flash Art, The Art Newspaper, Momus, The Brooklyn Rail, Spike Art Quarterly, and BOMB Magazine. Gat is currently the managing editor of WdW Review, published by Witte de With Center for Contemporary Art, she has taught at the New School and CSS Bard.
Anthony Graves was a fellow at the Whitney Independent Study Program in 2004-5. Since 2005 Graves has collaborated with Carla Herrera-Prats and others to produce exhibitions, performances, and research projects under the name Camel Collective. Through images, installations, performances, and texts, Graves’ artworks stage relationships between performativity and labor, protest, and pedagogy. Graves’ current research revolves around immaterial labor and the production of subjectivity. With and as Camel Collective Graves has exhibited and staged performances at the Hessel Museum, Bard CCS, Annendale-on-Hudson; Casa del Lago, UNAM, Mexico City; The Trienal Poli/Gráphica de San Juan, Puerto Rico; Sala de Arte Público Siqueiros, Mexico City; OCAT, Shenzhen, China; Aarhus Kunstbygning, Denmark; Overgaden Samtidskunst, Denmark; and Artists Space, Art in General, and Cooper Union, in New York
Rebecca (Marks) Leopold
Rebecca (Marks) Leopold is an artist, writer and educator living in New York City. She makes software, photographs, videos and interactive installations that explore the relationship between personal expression and technological and historical authorship. A graduate of Bard College, Leopold received a BA in Visual Art and Cultural Theory and an MFA from the ICP – Bard Program in Advanced Photographic Studies. Additionally, she earned a Master’s of Emerging Media from New York University’s Interactive Telecommunications Program (ITP). Her work has been exhibited at the International Center of Photography, SITE Santa Fe, the Knockdown Center, NurtureArt, and featured in the Philly Fringe Festival. She currently teaches at DIAP, City College and Queens College.
Aily Nash is a curator based in New York. She is co-curator of Projections, the New York Film Festival’s artists’ film and video section, and a Biennial advisor and co-curator of the film program for the 2017 Whitney Biennial. She is program advisor to the International Film Festival Rotterdam’s Short Film section and has curated programs and exhibitions for MoMA PS1, Brooklyn Academy of Music, Anthology Film Archives, FACT (Liverpool), Image Forum (Tokyo) and others. Her writing has appeared in the Brooklyn Rail, BOMB, Artforum.com, Film Comment, and elsewhere.
David Rios is a New York City based artist, educator, student, musician, and maker. Rios continues to explore the various intersections of music, circuits, mechanical movements, computer programming, and the internet. Rios has recently participated in the NYC World Maker Faire and has been featured on Makezine.com and Lifehacker.com. Rios was a research resident at NYU’s Interactive Telecommunications Program (ITP). Most importantly, Rios is dedicated to making things, making things happen, and making friends.
Jasmine Soltani is a researcher, developer, and designer with several years of experience collecting, normalizing, and linking data sources for research and program evaluation. She recently completed a research residency at NYU’s Interactive Telecommunications Program (ITP), an interdisciplinary program at Tisch School of the Arts that combines new media, emerging technology, art, design, and engineering where she also received a master’s in 2018. She teaches creative computing at NYU’s Integrated Digital Media (IDM) program and at the Digital & Interdisciplinary Art Practice MFA Program (DIAP) at City College.
Her work examines the material and ecological aspects of digital media, and its role in advancing sustainability, equity, and social connection while also undermining these benefits. She is interested in applying regenerative and modular design principles to digital products, and leveraging technologies to mitigate the climate crisis.
Joe Winter makes sculptures that re-purpose familiar technological systems and undermine their functional ”sense.“ Past works have targeted sound-related technologies and objects, and have included: a cassette tape that draws three-dimensional moving images; pianos driving in endless circles; and telephones that talk only to each other. Recent work revolves around contemporary technologies of image production. Joe is currently assembling a subjective astrophotographic archive using an office photocopier as an observational instrument with which to catalog fake stars.